DELOREAN ALBUM MERCH

The wait is over. August 19th, 2025 marks the official arrival of DELOREAN—a sonic time machine built for the present future.

Originally, I thought about releasing it on October 21st—the exact date Marty McFly programmed into the DeLorean in Back to the Future Part II. That moment shaped how I imagined the sound of the future would feel. But this album carries too much summer energy to hold until fall. It deserves warm nights, open roads, and speakers loud enough to stretch the horizon.

DELOREAN is the second chapter in a time-traveling trilogy. BAD BILLY—my Back to the Future Pt. 3—is already slated to follow. But this chapter lives in the sweet spot between past prophecy and present reality.

Lyrically, it taps into the shifting consciousness of today: the imbalance between human and machine, the clash of memory and progress. It nods to tradition and modernity while questioning where we actually are in the timeline.

This album is quantum physics in motion—proof that music can teleport you to any place, any era, even those we haven’t reached yet. It exists in both Afrofuturism and Retrofuturism, two philosophies that have shaped my art for years.

DELOREAN is more than music—it’s a vehicular time machine. Drive with it at 88 MPH on Pacific Coast Highway while “PUNCH 88” blasts through the speakers, and you’ll understand.

Some may see it as the sequel to 2012’s DEEP PURPLE. In some ways, yes—DEEP PURPLE was a major artistic leap. But DELOREAN? It’s a Quantum Leap.

August 19th, 2025. Buckle up. The future just pulled up.